False Calm, Distant Salam

As a part of "Sketchbook Exhibition" at Unassinged Gallery, FCDS began with a question I carried after moving from Egypt to Australia in 2024. I had assumed colonialism belonged to history, yet I found many First Nations communities still facing inequalities familiar to postcolonial Egypt. Why had so little changed?



This work combines a research sketchbook with a photograph of a calm water surface, layered with fragments of Australian paperbark. Beneath its quiet appearance, the bark reveals a more complex reality.

 

Japanese artist Rui Yasue explores the tension between appearances and reality through contemporary photography and reflections on coloniali

 

False Calm, Distant Salam

Japanese artist Rui Yasue explores the tension between appearances and reality through contemporary photography and reflections on coloniali

 

Sketchbook